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Hippocampus Dances (2013)
Fl, Fl/Picc, Ob, Ob/CA, Cl, Cl/Bcl, 2 Bsn, 4 Hn, 2 Tpt, 2 Tbn, BTbn, Tba, Timp, Perc, Hp, Strings. Duration c. 8′. First performed 18 October 2013 by the Tasmanian Symphony Orchestra as part of the Symphony Services/Tasmanian Symphony Orchestra Composers School, conducted by Kenneth Young.
Fl, Fl/Picc, Ob, CA, Cl, Bcl, 2 Bsn, 4 Hn, 2 Tpt, 2 Tbn, BTbn, Tba, Timp, Perc, Hp, Strings. Duration c. 7’30”. First performed 2 July 2015 by the Tasmanian Symphony Orchestra as part of the Symphony Services/Tasmanian Symphony Orchestra Composers School, conducted by Brett Kelly.
The Shepherdess and Other Saints (2016)
Fl, Ob, Cl, Bsn, Hn, Tpt, Tbn, BTbn, Perc, 4 Vln, 2 Vla, 2 Vc, Db. Duration c. 16′. Based on I Sing a Song of the Saints of God, by Lesbia Scott (1929) and John H. Hopkins, Jr (1940). Commissioned and first performed 30 October 2016 by the Melbourne Metropolitan Sinfonietta, conducted by Patrick Burns.
Fantasy on Les Bijoux de Castafiore (2019)
Bassoon and Piano. Commissioned for performance in 2020.
Five Scenes (2018)*
Wind Quintet. Duration c. 12′. First performed by Arcadia Winds 30 October 2018 at the Melbourne Recital Centre.
Knismesis and Gargalesis (2018)*
Oboe, Bassoon and Piano. Duration c. 8′. First performed 4 September 2018 at the Sydney Conservatorium of Music by Shefali Pryor, Andrew Barnes and Bernadette Harvey.
Not Going Out (2020)
Clarinet and Tuba. Duration c. 1′. For Lloyd Van’t Hoff, first recorded with Karina Filipi 2 April 2020 as part of his Instagram ‘Duet With Me’ series of short duets recorded online with players across the world during the COVID-19 pandemic with each performer participating remotely from self-isolation.
Rikki-Tikki’s Exotic Dance (2002, rev. 2007)
Original for four harps (2002), revision for seven harps (2007). Duration c. 4′. First performed 14 March 2008 by the Seven Harp Ensemble, led by Alice Giles.
Three Plazas (2020)
Flute ensemble. Duration c. 8′. Commissioned for performance in 2020.
With Zeal (2014)*
Viola and Piano. Duration c. 5’30”. Commissioned by Christopher Cartlidge. First performed 29 October 2015 by Christopher Cartlidge and Louisa Breen as part of the ABC Symphony Australia Young Performers Award 2015.
A Painting by Magritte (2017)*
Harp. Duration c. 10′. First performed by Alice Giles AM 31 August 2017 at the National Portrait Gallery, Canberra as part of the Canberra Symphony Orchestra’s Australian Series.
Moto Perpetuo Mondrian (2014)*
Piano. Duration c. 3’30”. Commissioned and first performed 18 July 2015 by Stefan Cassomenos.
The Riddle (2019)
Clarinet. Duration c. 8′. Commissioned for performance in 2020.
Love Songs and Interludes (2016)*
Voice and Mixed Ensemble (Ob, Cl, ASax, Bsn, Pno). Duration c. 9’30”. Text for outer movements (Infatuation and At Refuge) by Lee Timberlake. First performed 15 November 2016 at the Sydney Conservatorium.
Sarah Day Songs (2017-)
Ongoing song cycle project in two formats: Voice and Piano, and Voice and Mixed Ensemble (Cl, Hn, Str Qt) with poems by Sarah Day. Dawn and Mower first performed 5 September 2018 by Timothy Nunn and Su Choung; ensemble version first performed 13 October 2019 by Ensemble Goldentree.
David Davis@ (2019)
Voices (Sop, 2 MS, Ten, Bari) and Chamber Ensemble (Fl/AFl/Picc, Cl/Bcl, Vla, Vc, Pno). For scheduled performance in 2020. Adapted with permission from the short story David Davis at Coldpigeon Dot Com by Meredi Ortega.
Lust and Sloth from the Seven Deadly Sins (2015)
Voices and Orchestra (Fl, Fl/Picc, Ob, Cl, Cl/Bcl, Bsn, 2 Hn, 2 Tpt, Tbn, Tba, Timp, Perc, Hp, Pno, Strings). Lust (2 Sop, 2 MS, Ten, 2 Bari) duration c. 7′. Sloth (sop, 2 bari) duration c. 5′. First performed 6 November 2015 by Victorian Opera with Orchestra Victoria, conducted by Tahu Matheson and directed by Cameron Menzies. Cast: Kate Amos, Nathan Lay, Elizabeth Lewis, Emma Muir-Smith, Michael Petrucelli, Cristina Russo & Matthew Tng. Other sins composed by Julian Langdon, Mark Viggiani & Jessica Wells.